January 16, 2008
Behind the Book: With Gina Black
Please join us in welcoming Historical Author, Gina Black. Her debut novel, The Raven’s Revenge is a new release from The Wild Rose Press. After you read her fabulous post, leave a comment or a question and you’ll automatically be entered in Gina’s book giveaway. One lucky poster will win a copy of The Raven’s Revenge.
And now here’s Gina!
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Thank you Southern Fried Chicas for your gracious hospitality in inviting me to blog today. And Tanya, thank you for the tea. It’s so very . . . sweet of you. But enough about you. This is about me and my first published book, right? So let me take you back to the beginning . . .
Once upon a time there was a fledgling writer named Gina Black who decided she’d write a story set in England’s Restoration period (around 1660 right after Cromwell died and the English decided they wanted their fun–and their King–back and they invited Charles II home to govern). One of my favorite books, The Fireflower by Edith Layton, is set then and it starts with the hero returning to England after years abroad to reclaim his ancestral lands. He arrives as London is going up in flames during the Great Fire of 1666. So, I thought, let me take that same premise, put it a few years earlier with a different man and see where it takes me.
Characters always come to me first, and the hero, Nicholas (Edward Henry Philip Montford, Seventh Earl of Ashton), jumped into my imagination fully formed (and named). A passage in one of my research books gave him to me:
“The family life of the rural gentry, that had produced generation after generation of Verneys, Hydes, and Hampdens, had now for twenty years been broken up; its traditions were therefore unknown to the younger generation. While his sisters had been living in a corner of the sacked manor-house under the charge of the steward, the heir had been seeking bread for his mouth among the bullies and sharpers of low life in Dutch port towns, or sponging on the vicious nobility of France and Spain . . . with no instruction in morals and dignity of conduct beyond salt stories of Puritan hypocrisy, in which the defeated veterans found solace and revenge.” –England Under the Stuarts, G.M. Trevelyan
That was my Nicholas. A man who’d grown up without roots or moral direction, but who’d managed to scrape his way through life and survive. Now he was in a position to return home to the
land of his birth and fulfill the promise he’d made to his dying father: He would get back the family lands.
The heroine, Katherine, did not come so easily. I wanted her to be a woman of her times facing a problem so big that she had to disobey her family and risk everything. I wanted her to be intelligent and thoughtful. I wanted her to be strong. That meant she’d also endured much, and had learned to keep her thoughts to herself. In fact, Katherine was so very good at that, she kept many of her thoughts from me, finally loosening up on the fourth (I kid you not) draft.
So, she disobeys her father and refuses to marry their evil neighbor, and makes a pact with Nicholas–who, while masquerading as a highwayman (it’s a long story, you should read it sometime) gets shot–and they’re off on the road to London. A very bumpy road. In fact, in Restoration England, the roads were notoriously bad, especially after the rains. And yes, it does rain in the story, how nice of you to ask! (And, thank you, I will have some more of that tea, if you don’t mind.)
I had loads of fun writing a “chase” romance. Being on the road together is a great way for a Puritan and a Cavalier with nothing in common to get to know each other. Also a wonderful way for me to puzzle over maps for hours and hours. (And send lots of SOS emails to anyone who knew about horses.)
It wasn’t long before several really fun secondary characters showed up, and then, wouldn’t you know it, the king himself made a cameo. Once he appeared, he pulled me aside and told me he wanted an even bigger role. What could I do? One cannot gainsay a king!
I finished the book, revised it half a million times, entered it in a biznillion contests (which is one of the ways we got to know each other, isn’t it Tanya?) finally sending it to Dorchester for the American Title II competition. It finaled! I was over the moon and learning how to promote all of a sudden. The Raven’s Revenge stayed in the competition into the fourth round. (My characters were quite put out that their love scene was not up for votes so I posted it in the American Title archive on my website to make them feel better.)
Then, last March, I submitted the book to The Wild Rose Press and they offered for it within a week of receiving the full manuscript. Nicholas and Katherine were elated. We revised. We copy edited. We threw out one epilogue and wrote another.
And now The Raven’s Revenge is out in the Big World. My characters have not stopped preening, and–wouldn’t you know it–one of the secondary characters is beginning to demand a book of his own.
Characters. Can’t live with ‘em. Can’t write without em. How do you develop yours? (And how do you keep them in line?)
~~Gina



Hi, Gina, and
I have incredible respect for authors who write historical fiction. I’ve considered it, but was always afraid I’d get caught up in the period details so much I’d lose the story.
Is it tough to maintain the balance?
What a great inspiration story (love the paragraph that brought the hero to life fullfledged). This almost sounds like a story begging for connected follow up book. Any plans to write about a secondary character?
I’m with Raine - I have a degree in history and would be soooo obsessed with the details that it would become abysmally dull. Hats off to you.
Um, you’re supposed to keep characters in line? Don’t tell mine that - they’d laugh their asses off.
I really like that cover!
my heart book to write would be a regency, I love regencies more than anything (of all the stuff I have read) but I doubt I will ever have enough knowledge to actually do one convincingly!
and–wouldn’t you know it–one of the secondary characters is beginning to demand a book of his own.
LOL I know what you mean. I have acouple that are doing that too!
Good morningi Chicas!! (It’s still morning here in CA)
Raine–you said “always afraid I’d get caught up in the period details so much I’d lose the story.
Is it tough to maintain the balance?”
The hard part is knowing the time well enough to be able to have the story take place there without bogging down in details, both in your mind and on the page. I think you have to be able to render a scene in your head well enough that it is in *that* time period and no other, and then using only a small detail here and another bit there, be able to convey that to the reader. It isn’t just props and costumes either. It’s speech, attitudes, the understanding of the world, and the place of a woman and a man that sets a story in a particular time. I do think you need to be able to do enough research and reach critical mass before that can happen.
Did that help or was I confusing? (Working on the first cup of coffee here.)
Vanessa–Hello! You ask about plans to write about a secondary character. . .
In fact, I do have a story worked out for a secondary character in RAVEN. Will I write it? I’m bouncing from genre to genre right now (current opus is a YA), but I really would love to get back to Restoration England and write this other story because–let me tell you–this heroine is a piece of work! And their relationship is going to be an interesting one to write. Plus it will have the great fire and plague . . .
As to whether I actually write it or not, I think that depends to some extent on how RAVEN is received. If sales are good enough, I’ll take the time to write the sequel.
Bailey–I was getting a degree in history when I left UCLA for a career in television . . . maybe the two things together helped me not take the historical part too seriously (although I confess, I spent a lot of time spinning my wheels looking for small details because I needed them for the story). Still, although I admit to being a bit of a purist, you can’t let an absence of information stop you from telling a good story. Some things we will never know because not everything was preserved.
Dennie–what a nice compliment! I love the cover. In fact, I queried The Wild Rose Press on the strength of their covers. (Of course once they offered I did more thorough research.) I think RAVEN’s cover is an especially good one too!
I’m so glad you didn’t give up on Nicholas and Katherine! Like Raine, I too, have immense respect for those who can write historicals. I really enjoyed learing how your book came to be published and completely understand how secondary characters like to badger for a book of their own.
Best of luck!
TWRP is very open to what the author wants on their cover and I think that’s why most are extremely good(of course because the cover artist are Gods in their own right) and most of the authors are happy with them.
But on to the post: How do you develop yours? (And how do you keep them in line?)
Hmm, I usually don’t listen to mine until they stop giving me the goods aka writer’s block. I’m trying to go one way and they sit there with their arms crossed. I’ve had many staring contests with my cursor. So keeping the characters in line doesn’t help me write one bit, which means at some point (usually the middle) I let them free and write what they give me. It’s a very successful relationship.
Also I loved the way you got the idea for your hero.
Did that help or was I confusing?
Yup. Pretty much as I thought. Thank you!

(And big wave to Donna!!)
Hi Gina,
When you develop your secondary characters, do you envision them having their own story in the future?
Donna–Thank you!!
Melissa–I was so surprised to be able to work directly with brilliant cover artist, Jane Wiedenhoefer, and enchanted with how well she “got” the story and illustrated the important moments on the cover. How interesting that your characters clam up on you, mine don’t seem to ever want to do that. But they do get very annoyed when I don’t let them do what they want.
Raine–glad it made sense!
Jane–you asked When you develop your secondary characters, do you envision them having their own story in the future?
And the answer is both “maybe” and “not really.” The secondary characters often arrive to solve or enhance a certain part of the story. Sometimes they bring so much with them that their own stories can be very enticing. But, I try not to think about that until the end of the story I’m writing.
Ya’ll have been busy! Hey Gina! Good to see you in these here parts!
Tanya–thank you for inviting me. I had a really good time and enjoyed answering the questions!
Gina I’m super-late…..but welcome aboard!!!! I remember someone once saying that vilians are the heroes of their own story. I’m sure the same can be said for secondary characters as well!
CONGRATULATIONS, Donna Michaels!
You are the winner!
Please leave your email address either here or with one of the Chicas so Gina can send you a copy of The Raven’s Revenge.
Dear Gina,
I think that your novel is really interesting and I just love reading what writers have to say about their works. I was wondering if the rights for Italy have already been sold. I sent you an e-mail at the address in your web site.
Laura (from Italy)
Laura–Thank you for your interest! I did get your email and I have responded. I hope it found its way to you.